In 'Deadpool,' we stayed far away from the shiny, clean X-Men world. It's really the seedy underbelly of what's been shown in other superhero films.

If we do another 'Deadpool,' we'd love to have more money for visual effects. But I don't think anybody does good with an excess of time or money.

The reason I love comics and have collected them for 37 years is because I always wanted to be an illustrator and a writer - and comics are really the perfect blend of those two mediums.

What works for me in 'Indiana Jones' is the fact that I can project myself onto the character. Maybe if I was cool enough, I could do what he does. But I can't do that if the story breaks the rules of reality in too large of a degree.

If you look at Keith Richards' hands, from the Rolling Stones, they're these gnarled, arthritic - it looks like people beat his hands with clubs. It's amazing there's so much character in his hands.

'Goon' is very much an action - it's got a lot of heart, it's got a lot of comedy, it's got a lot of similarities to what I think was successful in 'Deadpool,' and so I think it's not a stretch to compare those two things and say the world is a little more ready than they used to be for this kind of material.

I try and have a relaxed attitude and stay quite switched off until about an hour before kick-off.

I film quite a bit of footage, then edit. Changes before your eyes, things you can do and things you can't. My attitude is always 'let it keep rolling.'

I'm half Moroccan and half Indian so I have quite an adventurous taste in food.

With 'AGT' I was allowed more freedom to be myself. It was also quite a different scale.

I think quite a lot of people have a friendship or a love that's gone like that and it never quite reconciles properly.

It is quite possible for the vulgar to be funny, but to succeed, it must rise to a certain genius.