Sure, I came up under Mike White, and Miguel Arteta; I was Mike White's assistant on 'Dawson's Creek.'

I feel like a zombie movie is kind of like the gold to hear movie.

I've definitely pitched some viral ideas and do have a pretty good understanding of the Web.

I have this horrible habit of just pressing online bookmarks that are at the top of my browser like ad infinitum.

If you have somebody who can just do everything easily, then it's kind of boring. If you're handcuffed to a chair and you've got to fight while your handcuffed, or something like that, it just adds a cool element.

I think the filmmakers that I love are ones that cross genres and do different thinks, the way that David O. Russell can do something like 'Flirting With Disaster' but then go do 'Three Kings' which is like an incredibly visual film - that's a huge reference point.

I can't go to a restaurant or a hotel now without looking at the architecture and wondering how it would look if a character jumped off something - or crashed through it.

I'm afraid that if you look at a thing long enough, it loses all of its meaning.

That's why people listen to music or look at paintings. To get in touch with that wholeness.

Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.

My idea about the role of artists is to get people to look at things in a way that's different than the way they normally would if they are being told how to think, what to do. I think when people receive information through art, they are more open-minded.

In winter, the stars seem to have rekindled their fires, the moon achieves a fuller triumph, and the heavens wear a look of a more exalted simplicity. Summer is more wooing and seductive, more versatile and human, appeals to the affections and the sentiments, and fosters inquiry and the art impulse.