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American - Director
August 28, 1965
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View All Citation Styles →If the American public is so into morality in movies, why don't they throw more of their disposable income at religious-themed entertainment? For every 'Passion of the Christ,' there's a 'Fireproof' that comes and goes with no notice.
If art is singular expression, then by nature, the best art is controversial. But when art stirs debate for reasons besides its artistic integrity, that's when things get bent.
Governmental intervention and personal responsibility are not mutually exclusive issues, but they do frame a 'do it ourselves' vs. 'what are you doing for us' debate. For the black community, that's a debate that's been raging at least as far back as the W.E.B. Du Bois, Booker T. Washington philosophical grudge matches.
With writing, timing is everything. Being in the right place at the right time.
There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are - at their best - an amazing blend of art literature and the theater of the mind.
As an individual, and I have to say as a person of color, the thing about being an 'other' in America is I really feel like you're bilingual. I'm from a small town in Wisconsin, but even when I'm in New York and I'm working for MSNBC or CNN, you're used to being the only black person in the room.
I don't think I'm alarmist. I'm more disappointed by the euphemisms in some instances than outright bigotry. Now, to me, you walk around with a Klan hat on or you've got a swastika on you arm, you just look like a dope, you know what I mean?
There are many movies which come with an attitude of black and white. I am good and you are bad. And there are many movies that are also trying to see the reality as it is or to discover what really is behind the character or events.
I haven't seen Clones, which has been during this period when I haven't seen much of anything, but I did see Phantom Menace, and see my feelings about it - see, first of all, I think that when you make a lot of movies, your attitude about the movies changes.
There are a lot of movies I'd like to throw away. That's not to say that I went in with that attitude. Any film I ever started, I went in with all the hope and best intentions in the world, but some films just don't work.
People are patronizing the theatres with renewed enthusiasm - there is an entire picnic-like attitude when families go out to see movies, which is a very good sign. They want to see larger-than-life characters on the big screen and not just watch movies on television or on DVDs.
There are definitely roles within this industry that are industry-related, but to be a good actor, you really have to want to act first. At the same time, my goal was never to go to Hollywood to make movies. I think if you come here with that attitude, then you've missed a few steps.
I find the violence in PG13 movies unbearable. This kid will never run home, never have another birthday. His death is slow, nightmarish. And you have to explore the consequences - the people who live on with this death.