Shooting Quotes

Once you're on the set and shooting, it's all just cinema. You have actors and cameras.

I'm a portrait photographer that's used to shooting celebrities, and I usually need time and all kinds of lights and a studio to set up my shots.

I had a really fantastic time shooting 'Bad Teacher.' I loved every second of it.

The fact that I have done films down South didn't boost or hamper my chances here. In fact, I was still shooting for both my Telugu films when I met Ashu sir for 'Mohenjo Daro.' During the audition, he gave me five scenes with lengthy dialogues. Once I cleared them, he gave me a song to dance to. So, my Bollywood entry was no cakewalk.

Because the job is still really exciting, and I still get nervous on the first day of shooting. But all the nonsense that surrounds it - that can be on your own terms.

Recently I've been participating in radio and television talk programs doing broadcasts and conferences, and shooting my mouth off and really going to town.

For me, every photograph is a portrait; the clothes are just a vehicle for what I want to say. You're photographing a relationship with the person you're shooting; there's an exchange, and that's what that picture is.

I've always believed the greater danger is not aiming too high, but too low, settling for a bogey rather than shooting for an eagle.

I'm definitely drawn to stories of just regular folks, just generally in some kind of horrific situation. I keep saying I want to do a love story in the south of France with a boy and girl and some wine. Then I always end up in an oil rig with four hundred guys or on a mountain with guys shooting at each other.

The first time I met Brando was on a street corner. I was 14. He was walking down the street, and I saw him coming, and I thought, 'It's Marlon Brando.' And he was wearing what turned out to be his outfit from 'On the Waterfront,' because he was shooting.

That's one of the things about theater vs. film - with theater, actors have a little more control, and one of the disappointing things about films is that once you're done shooting, anything can happen, you know?

We've been shooting the last two weeks with a lot of vampires. I don't want to give away too much, but if you've read the books, it's the standoff with lots of vampires in play. There's like 70 people going through the works at once. It's a little maddening, but fun. We shot pretty much the ending of the two movies the other day.

Shooting is nothing. Anybody can shoot. The big charge is putting on a show for the crowd.

Often, you don't want to know too much, because it does affect your performance. When you're shooting a series for nine months out of the year, you don't want to anticipate too much, because you're going to work and you have to enjoy this thing too.

In 1958, I was shooting a movie in Florida, and I decided to go to Havana, Cuba, to see what it was like.

In 2006, I started making a film called 'Restraint of Beasts.' While I was making it, I had a personal disaster. My wife fell ill, so we stopped shooting halfway through. And then sadly, my wife died.

We are definitely modernizing 'The Three Musketeers' without compromising the fun of shooting a period piece. But in our film, corsets and feathered hats don't take center stage. Our version is rich in eye-popping action, romance, and adventure.

It's hunting, but unlike shooting, which is noisy and intrusive, fishing is all about quietness and stealth.

I am in Toronto, shooting a movie for NBC.

The problem with shooting in Paris is, it's been shot to death. When you're in it, you already think you're in a movie, so how do you get away from that feeling, and give some frisson to the viewer?

Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.

I feel I can continue to grow as a player. I have a long time to continue to progress with my shooting, continue to keep my ball handling tight, continue to stay in shape. You know, all of it.

'Shooting Star' started out as the arrangement on the record, and it's developed into a real audience-participation song, just from playing it.

A song like 'Shooting Star' - the thought process behind writing that song was that I looked around and thought, 'Wow, there's a lot of people dying at that time in the music business.'

We never thought 'Boyhood' was ever gonna become Oscar-considered. Our shooting budget was $2.8m for 12 years. Altogether. I didn't know if anyone would see it or appreciate it.

I enjoyed shooting 'Chandramukhi' so much that I would not say it was a relief when the shooting got over.

I'm the kind of person who, if I see a shooting star, I wouldn't stay there and watch it. I'd run to my friends and tell them because I would want everyone to see it too.

Shooting is a part of my game that I continue to work on.

I always enjoy shooting for all my films.

Every team I play, I'm playing them like we playing the Golden State when they had Kevin Durant. Every point guard I play, I'm playing Steph Curry. Every shooting guard I'm playing, I'm playing James Harden. Every three-man I'm playing, I'm playing LeBron and KD.