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Indian - Actress
1975
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View All Citation Styles →I am a Maharashtrian but was not brought up in Maharashtra, as my father worked in CPWD and was transferred every two years. So I have always been a gypsy. I, therefore, could not make good friends, and it still takes me a long time to form attachments.
Life goes on, and one should look ahead and not backward.
As I started parenting, I realised there is no formula to it.
The parenting books didn't work for me; I got my parenting lessons from everything but the books! And it was about figuring things out. So every time I had a thought, I would put down my conclusions and thoughts.
All we have is the knowledge passed on to us by our elders, experiences we inculcate and hardly negate. But to bridge the generation gap, one needs to adapt to the new while retaining the goodness of the old.
People often confuse self-respect with arrogance. I believe that there is a very thin line between the two. Balance between the two is often what leads to happiness.
There's a hidden Goth in me: I have a dark sense of humour; I have a dark sense of fashion.
I am an engineer, not just an architect, so I've always been motivated by technique or technology. As soon as technology moves just a little bit, it changes architecture.
I am not an enthusiast when it comes to cities, preferring rolling scenery, wildlife and stars to museums, monuments, architecture and traffic.
I am not strong on perfection.
Vulnerability is the essence of romance. It's the art of being uncalculated, the willingness to look foolish, the courage to say, 'This is me, and I'm interested in you enough to show you my flaws with the hope that you may embrace me for all that I am but, more important, all that I am not.'
In Japan, I am famous in certain special circles - mainly as someone who is trying to break down and enlighten the conventions of Japanese art.
I am trying to make art that relates to the deepest and most mythic concerns of human kind and I believe that, at this moment of history, feminism is humanism.