The Roundhouse was a complete shell. It was absolutely empty, lying derelict for years.

'Hardware' came about because I had written quite a few scripts and hadn't had any luck getting them made.

Having spent all that time getting away from South Africa, running away from the army, I wanted very much to believe that America and England were actually as free as they were meant to be, not slipping rapidly into becoming police states like the one I'd just left.

Britain has had a very honourable tradition of literary sci-fi - H. G. Wells, John Wyndham, J. G. Ballard, Brian Aldiss, Michael Moorcock - but for whatever reason, they have never really been given the time of day on screen.

'Dust Devil,' I've never really seen with an American audience, so I'm looking forward to that experience.

With 'Moreau,' it's been particularly confusing because I started out being the writer of the screenplay and then trying to be the director, then being moved from being the director and having to become the dog extra, it makes some kind of sense to suddenly become a character in the story.