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English - Actress
May 30, 1977
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View All Citation Styles →She was just Ma, and I didn't grow up in some kind of acting dynasty: Orson Welles didn't come round and give me a piggyback; Vivien Leigh never read me a bedtime story. It was just my mum and our housekeeper, whom I adored, and after that, it was boarding school.
I really resent how expensive everything is in London.
I was raised to please people in authority, and I'd also come from a sheltered boarding school, so I was very naive and young for my years.
If I'd been an actor in the 1940s, I would have been in fashion.
I panicked in my 20s and 30s about whether I was doing the right thing. I was an excited puppy, wanting to please people and feeling guilty that I'd had a privileged education and an acting career.
I take pleasure in discovering resourcefulness inside me.
I do panic when I'm out of work, and there have been long periods of that. And I'm not a good auditionee. I talk myself out of jobs in front of the director and suggest other people who would be better.
My painting does not come from the easel.
The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.
For me, art really starts with acceptance, self trust. Wherever you come to with art, it's perfect. You don't have to come with anything. What you bring to something is the art. That's where it's found. It's found within you.
We accept so many things that come through the media; we get used to them, however vigilant we are. But for any creative art, you have to remain 110% conscious, and in a world that's losing consciousness, that's getting harder.
Eagles come in all shapes and sizes, but you will recognize them chiefly by their attitudes.
Could we change our attitude, we should not only see life differently, but life itself would come to be different.