I acted for so many years and sat on a million sets and worked with a million different directors so that is to me some of the best training you can get.

Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.

What you learn when you direct a film, even more so than as a producer, it's a marriage. It's like a relationship with that film so you've got to make sure that it's really something that you want to live with for three years or however long it is. So I haven't found the right thing to marry yet.

There are times when you work with directors on set, and things are a bit rudderless, and those can be good directors.

There are films that cost a lot of money that might be decent films. But if they don't perform in that first weekend or two, they're gone.

It takes a long time to get a film made.