I am concerned about ageism and the loss of beauty - the perception that as you grow older, you 'lose your looks,' which I think is diabolical.

The model sanctuary was borne of a complex, political, societal debate. It was proposed to us from various bodies that we give models medicals once a year, and if they didn't pass that medical, there's a chance they'd legally lose their right to work.

Growing up, I had an insane crush on Neil Tennant of the Pet Shop Boys.

I have a regular cleansing, toning and moisturising routine.

I understood early on that I was not the best-looking girl in the room. But I knew my advantage was a hard work ethic and I was ambitious: I knew I could be a great model.

I've been on both sides: the victim and the villain. I was the victimised model, and everything from my weight to my fertility was held up for discussion. And then I was the person that could garner some kind of positive outcome, by taking on the role of vice chairman of the British Fashion Council and becoming an activist of body image.

The job of the artist is always to deepen the mystery.

The artist's job is to be a witness to his time in history.

It is a mistake for a sculptor or a painter to speak or write very often about his job. It releases tension needed for his work.

To catch a husband is an art; to hold him is a job.

Real power is being able to take care of yourself. My job is to make art, but I aspire to do more than that.

Americans are the most generous country on the planet. I've worked in Europe, I've worked in Australia. There is no where else where you get absolutely no attitude for being a foreigner. If you do your job well, they embrace you.