I've never been a big cinephile, which may be why I could treat 'The Clock' like a puzzle and force the pieces to fit together in odd ways.

These things I sample, or clip, are things that we share - music, films, sounds. It triggers a layer of participation from the audience as they recognize the material and remember it.

'Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.

Art is all in the details.

When you take something apart, you get a great sense of what it took to originally put it together.

If the music in a groove fits with what you're playing, then play it; if not, then you can play it backwards. If that doesn't work, you try it at a different speed. If it really doesn't work you just break it. The whole ritual to put a record on a turntable just to listen to it, I don't do that too often.