Something happened in the nineties. There was a shift. I don't want to blame it on grunge or the rise of indie - but that was basically it. It was seen as dirty and kind of ignorant to have these ambitions, to want to be a big band.

Crossfire's done very well. I knew it was a great song, but I didn't know it would be so big.

I went to high school with girls that would daydream about what strip club they wanted to work at. That's one of the sad things about Vegas.

'Human' was controversial within The Killers way before it was controversial to the rest of the world! It caused some problems within the band. Not to throw anybody under the bus, but it was pretty much me and Dave against Mark and Ronnie for a little while. We were standing up for the song.

There's always an excitement around the Strip whenever something new being built. It was always the biggest and the best hotel or, you know, over-the-top things. And so, family would be coming in from out of town, and it was such a thrill to be showing them this, you know, erupting new volcano or whatever it was.

I think of talent as being God-given. I know that contradicts what a lot of people believe, but that's how I see it. I think the Beatles were meant to be, you know? So when I listen to Paul McCartney, I think, 'Here's the person that God gave the gift of allowing him to write 'Let It Be.'