When I had a full-time job, I would write dialogue and sketch characters on my commute and during meetings. Now, I forsake showers and regular meals and stay at my desk for hours, taking breaks to drink tea and eat something sweet, usually cake.

I wanted to write about extended family systems. You have people you can fall back on, and it's good. But what if you don't fit into what is expected of you?

I wanted to explore expectations we have of people - what a woman should be, what a man should be. And if they don't meet our own interpretation of who they should be because of their gender, their background, their ethnic group, we then come to conclusions about them that are not accurate.

My mother has a lot of sisters. They had very, very interesting conversations. Because I was a quiet child, I would sit in the room and listen to these stories. I think I developed a curiosity about the life of other people from that, and an interest in looking at what was lying beneath the layer of what people present in public.

Wole Soyinka's 'Death and the King's Horseman' is a play I go back to and I read often.

I have always been very interested in the idea of loneliness and the presumption that romantic relationships are supposed to rid you of that.