I am pretty embroiled in moving on and moving forward with music.

My favorite sounds are the high, spacey ones that are very ambient.

I think we are coming to a new era where people will record much faster.

I spend a lot of time working as a painter and in my studio I go from upstairs where I paint to downstairs where I play and record, so I get this thing crossing over.

I'm just trying to avoid any sort of generic kind of music - I don't want to do generic jazz or fusion.

In The Police, in a trio situation - which I've come back to now - it's just so wide open that it does actually provide this arena where you can play with a certain freedom.