Winston Marshall

The day we struggle to enjoy what we do and just get the gig over with we'll quit.

When we first started touring, we were going to these towns we'd never otherwise go to, never otherwise see, and that's sort of why we like being in a band. But we started playing these bigger rooms and not even seeing the towns.

Things got big quickly for us, and playing arenas... it's like - and every band will tell you this - you don't see any of the town.

Class is a big issue here. And some people get picked on more than others. I think we probably do. I mean, it doesn't help that we wear waistcoats and tweed the whole time. But there is a reverse snobbishness in England towards that sort of stuff. And I think that's one of the reasons we really enjoy America, 'cos we're classless.

The thing about Nashville that's amazing is everyone plays... so you don't meet up for a drink, you meet up for a pick. It's an incredibly creative town, just bubbling with energy.

It's always great to see grey hairs in a crowd; people who are older have been to a lot more gigs than the kids; they've seen everything, so seeing them in the crowd means we've earned their applause.

I want to bring UCB to England. We don't have anything like it.

New York - it's the center of the world.

I don't understand how those old bands did it. We worked out early on that if we did three gigs in a row and went out afterwards, we'd lose our voices. We know our limits.

We like being English, but we're not that patriotic.

I regret a couple of wardrobe decisions.

I cut off my dreadlocks, but I couldn't face throwing them away. They were so hard to grow, man. There's a lot of work goes into those things. Some people keep a diary or a photo album to remind them of their past lives - well, I've got hair. Who knows? One day, maybe my grandchildren might want to see it.

We called ourselves Mumford & Sons because we liked the idea of an old-fashioned, family-owned store.

2014 was a pretty bad year for me. Quite a lot of loss.

You write in songs what you're too scared to write in real life, and then you sing the songs to loads of people instead of telling it to the person you should be telling it to... Songs are a great way of dealing with those issues but kind of a coward's way as well.

Once you're out there in front of people, I don't think there's any choice than to just give it your all.

Banjos, dobros, and acoustic guitars are not our first instruments.

Somebody told me about a band that works out their whole set as if it was one song. They learn the whole set as one piece, so they know how the dynamics of it work. It's really difficult to do, and you can only really do it while you're on tour, as being in a rehearsal studio is not the same as being on stage in front of an audience.

I play banjo, and in Britain, it's easy to get away with playing banjo because you don't often see it on U.K. stages. In America, people know when you're a good banjo player, so I was really nervous about playing out there. But we actually went down really well.

We're not all Christian, so we can't be a Christian band.

England's just very cynical. Like I am. Like we all are.

I think we're all guilty of it as British citizens: if something gets big, we go, 'Ugh.'

Irish people never think we're Irish. Americans think we're European or French.

We know what we like in music, and we got into music to try and give back what we got out of it.

It must be tiring being Bob Dylan for the past 50 years. People act like he's not even human, which must be hard work. Every room he walks into just goes quiet.

Some people like the same thing forever, but I don't know. We kind of, like, listen to loads of different stuff, and our attention spans aren't good enough. So there was a bit of frustration when you're, like, having to play the same thing all the time because we play all, like, loads of different instruments.

We don't want to be part of some Tidal 'streaming revolution,' nor do we want to be Taylor Swift and be anti-it.

We look at our albums as stand-alone pieces of art and also as adverts for our live shows.

This is how people are going to listen to music now - streaming. So diversify as a band. It doesn't mean selling your songs to adverts.

Simian Mobile Disco changed my life. They put me onto the EDM world. Although they would hate that term, they're more techno.

I became obsessed with Simian Mobile Disco's music and poorly attempted to make my own techno music.

Technically, I suppose I was following all the right behavior patterns of a trustafarian.

Do you know what the key to comedy is? Timing.

The trick to techno, as a connoisseur, is that you got to do two things: keep your hands down and your mouth shut.

Elton John is an absolute lad. He's a hero.

I'm a modern-day renaissance man.

For me, food and music are very similar in that you create, you spend a lot of time making something, and it only lasts a few seconds or a few minutes.

I've seen the Stones play for three hours, and the crowd knew every song. It's what you want in a headline slot at a festival.

My dream is to tour for 50 years.

We're in a long line of English people pretending to be Americans and not being as good as Americans.

You can never really tell what your influences are.

The New Lost City Ramblers are a very good comparison, actually. They really took the music seriously, and we take the music very seriously. But we don't take ourselves seriously at all.

We formed the band because we wanted to tour. That was our common interest.

One of the things we say in this band is if it's not fun, it's not worth doing.

The less I try, the cooler I am.

We're not, like, hard men.

We're a pretty emotional bunch. You know, someone doesn't say hello to you one day and you're like, 'I cannot believe the gall!'

England's just very cynical.

We get accused of inauthenticity because we play the instruments we play.

It's very important, when everyone else seems to be pigeon-holing you, to try and pigeon-hole yourself.