Victor LaValle

The horror genre is vast and full of brilliance. Stephen King, Shirley Jackson, Herman Melville, the book of Esther. I'll happily join that list.

I spend lots of time on the Web, some of it even useful.

There are times when I need to dig up the diagram for a type of satellite dish, for instance, but I just can't seem to phrase this need correctly. As a result, I'm inundated by advertising for satellite television and people's online customer reviews of such services when, in fact, I was only trying to figure out what a certain component is called.

When I find the right information, the Web is a blessing; when I don't, it's a distraction.

There's the wonder of being able to do research from your own living room, of course. I do find that my biggest research issue, though, is how to frame my questions.

In the end, what's any good reader really hoping for? That spark. That spell. That journey.

If you want to learn the true nature of a child you have to watch how she plays. If you want to learn the true nature of an adult you have to watch how she does her job.

I can't inhabit my characters until I know what kind of work they do. This requires research because my jobs for the last decade have been author and professor, and I'd like to spare the world more author or professor novels.

In the past, a writer had to go outside and get to know others before learning about their work, but the Internet has made humanity more accessible for misanthropes like me. I read blogs, tweets, Facebook posts and Reddit threads where people detail their jobs.

Social media give me the privilege of learning about more people than I could meet in my whole life. Taken together, the Internet reads like the grandest character-driven novel humanity has ever known. Not much plot, though.

One of the most widely read novels by a black American is Ralph Ellison's 'Invisible Man.' It is his masterwork - it won the National Book Award in 1953 and catapulted my man to the highest levels of literary esteem.

The project of Ralph Ellison's 'Invisible Man' is exactly that: to assert the beautiful, bountiful, chaotic complexity of one black American male. And, by extension, all black American males.

I didn't grow up in a small New England town like the one in 'The Sundial.' I was raised in an apartment building in Queens, not in a sprawling, slightly sinister mansion like the one where the Halloran family resides.

'The Sundial' is written with the kind of humor that would make a guillotine laugh.

Shirley Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.

I'm always trying to make myself laugh. I'm the most enthusiastic audience I'm likely to find, so if it doesn't make me smile then it probably won't work on you. The jokes that only make me shrug get cut.

Education is gathering information and reading... No human being can thrive without some form of education. How you get it is up to you - the important thing is that you get it.

I wanted to write a story set in the Lovecraftian universe that didn't gloss over the uglier implications of his worldview.

The people I am most interested in are the ones on the edge of losing everything and falling into the last bit of despair. I'm trying to write about how people exist on that edge and how they can come back.

On June 23, 1864, Ambrose Bierce was in command of a skirmish line of Union soldiers at Kennesaw Mountain in northern Georgia. He'd been a soldier for three years and, in that time, had been commended by his superiors for his efficiency and bravery during battle.

Every era needs a genre through which it understands itself.

'The Devil's Dictionary' reads like a collection of great Twitter posts. And as people do with tweets, they can swipe Bierce's best lines and recite them as nearly their own. The reflected glory of reposting.

The journalistic endeavor - at least theoretically - is grounded in objectivity. The goal is to get you to understand what happened, when and to whom.

I'm a big fan of monsters. Number one, they're fun, and two, they're such great ways to access the subconscious fears and beliefs of any group of people.

In fiction, it's a big challenge to keep the reader in one place for so long.

As a 13-year-old fan of horror fiction, I hadn't seen too many cities in the literature I loved. It was always small towns, or backwoods locales, or maybe the suburbs.

Whether it was H. P. Lovecraft's doomed towns or Shirley Jackson's lonely, looming 'The Haunting of Hill House,' the boondocks had all the fun. As a black kid in Queens, New York, I couldn't have felt more removed.

'Dark Gods,' T. E. D. Klein's book of four novellas, felt like a godsend - even if it came from a deformed god, one that lurked beneath our sidewalks.

I'd read at a much higher-than-average grade level since, well, grade school.

Booksellers are the bartenders of the reading world. People share thoughts and interests they keep private from others in their lives.

No one ever knows if a book is good until they read the book.

I couldn't get a date, but I couldn't be quite sure how unattractive I'd become. I was still friendly; I made jokes, and in my mind, if I saw a woman smiling at me... I still had a chance. I did not.

People use the notion of God to bully people and hurt people, when we can use the concept to respect and uplift.

I like America, where believers eddy around each other like currents of air. Even our atheists are devout! To be an American is to be a believer. I don't have much faith in institutions, but I still believe in people.

The profession is never going back to those days when a handful of wealthy people treated publishing like a hobby: one where the business can lose money because the family has lots of it to burn. Frankly, I don't think that model was ever sustainable, and it really only enriched a small number of writers.

I know that many authors say editors don't edit anymore, but that's not been true in my experience.

Try imagining James Joyce not writing about being a Catholic.

It's tough to write beautifully about ugly things, but Mitchell S. Jackson makes it look easy.

Since Queens is the most ethnically diverse plot of land on Earth, we had tenants from all over the globe. The whole world in one building.

For as long as I could remember, the person in E23 pasted the same Halloween decoration, a witch with a giant wart on her crone's nose, but whenever kids rang, the tenant wouldn't answer. At first, kids figured they'd just missed the guy: bad timing. But it seemed impossible that all of us missed him every year.

I was dressed like Darth Vader. Vader was my man, even with the villainy. He wore all black and had a deep voice; he reminded me of my uncle. I had a cheap mask-cape combo, the kind available at any pharmacy during October.

I weighed 25 stone, and I didn't stand nine feet tall, so the weight didn't sit well on me. As big as a house? No. I was as big as an estate.

Here's the thing: I was charming. Well read and well spoken. Observant and even kind. In other words, I was kind of a catch. And I knew this was true. As long as you couldn't see me. If you saw me, you'd think I was the sea cow that had swallowed your catch.

Lonely women destroy themselves; lonely men threaten the world.

Miniature golf, like billiards, is a game of angles. And, like billiards, most of the fun is in pretending you know what the hell you're doing. The worse you do, the more you have to laugh.

I realise I might pass down an incurable illness to my son, but living based on what might go wrong seems like less and less of a life as I get older. The one thing I can try to control is whether I teach my child to be ruled by anxiety, by fear. That's something that gets passed down, too.

I hadn't stopped fearing the chance of passing on an illness, but that fear had become balanced by the observation that being ill wasn't the same as being beaten.

One of the things that doesn't come up as much as it should, especially in literary fiction, is this idea of faith and God... I feel like those are things that should be wrestled with... because they are such an integral part of our community on every level.

Lumpy and lazy; I aspired to lethargy. In the second year of university, I missed half my classes just because I couldn't pull myself out of bed.

Clothes are a kind of uniform. A nun's habit, a surgeon's scrubs, a cop's uniform. People often say that when they put on a certain uniform, they actually think of themselves differently.