Tim Pigott-Smith

I'm not a big fan of the Mediterranean, but being in the Bay of Biscay, the sea is forever changing, and on a clear day, you see as far as Spain. It's incomparable.

When I was 16, we moved to live in Stratford-Upon-Avon. That was the year of Paul Scofield's 'Lear.' I think he is still widely perceived as the only actor who has got his flag at the top of the mountain.

When you're in a good play and a good production, you find that you're in something that has a life beyond you. You think, 'Oh my goodness, this play's alive.'

My parents were fantastic. I was an only child, so I had a lot of love and too much attention. I don't think I was spoilt. My mother was quite a disciplinarian, but I did have a lot of attention and quite a lot of pressure to do well at whatever I was doing.

I was really uncomfortable with fame. I mean, it's lovely and flattering, and you enjoy all the razzmatazz and being flown around, but when people suddenly call you a star, you think, 'I'm not a star, I'm just playing a star role.'

You had to be there at the time to understand the wild creative energy of the Fab Four, and this contains forays into Indian music as well as classics such as 'When I'm Sixty-Four.'

I love Stevie Wonder for his sense of rapture in the music. He can swing through a zappy tune, lift your heart, or drift into a sad ballad with consummate ease.

What makes Biarritz special, as far as I'm concerned, are the fantastic coastline, the beaches - such as the Cotes des Basques - and the sea.

I adore Biarritz. I first went there in the Eighties, and my wife and I liked it so much that we ended up buying a holiday home there.

You normally either get bitten by a character and decide that is the way to play it, and then that begins to inform everything you do, or you decide, 'I don't need to use much character in this - I have basically got to be me'.

For sheer excitement, a weekend in New York is unbeatable. Arrive on Friday morning, leave on Monday night, and don't worry about jet lag - just buzz for four days.

My first arrival in India was memorable - landing at Delhi airport at 2 A.M. to start filming 'The Jewel in the Crown' in the Eighties. The man who was supposed to pick me up wasn't there, so I spent a very uncomfortable three hours phoning around hotels to find out where I was supposed to be. It was a major culture shock, but I adored India.

I especially like the Padstow area and the south coast near Portloe. It's lovely, though I do wish it was a bit closer to London.

When I grew up, in the time of 'Look Back in Anger,' the theatre was very exciting, a place where you felt that social comment could lead to social change.

The 'reality' shows on television, the Internet, these things have encouraged people to behave with less and less restraint. We are broadcasting our emotions in public in a way that has never happened before.

I used to think the actor's job was immersing himself completely in another personality.

When you've won the war, you're faced with the problem of winning the peace.

Sometimes I Rollerblade to work, but it's most lovely in the park, and it's really quite safe there. I do it quite carefully, and I wear all the gear.

People are fed up with broadcasters pushing the boundaries too far.

I can't understand why TV tries to appeal to youth.

Understand me, Hollywood miniseries are very popular in England. But British miniseries make a tremendous mark on the national consciousness. They become part of the national culture and mythology... at least for a time.

Perhaps it's an accident of nationality, but the English treasure subtlety and appreciate not having everything spelled out for them, while Americans want everything made apparent.

Hollywood's best producers and directors are in film, not TV.

American writers reduce the length of time devoted to exposition and character development.

I earn a lot of money in England doing voice-overs, especially in documentaries. Turn on the Discovery Channel here, and you'll hear my voice a lot. It subsidizes my vice of acting in the theater.

Everybody wants a movie career. I found that pretty elusive. I did make a movie with Martin Sheen about a nuclear scientist who has a religious experience. I don't even know what it was called. I don't think it was ever released.

One of the functions of drama is to teach.

Fame changed my life completely because, for a while, I was in a position to choose what I did. I miss that aspect. But I always felt uncomfortable with it.

There is something about the way I photograph. People often say, 'Are you cross with me?' My eyes can look sort of... like a wall.

Occasionally, there are programmes - like 'The Office' or 'Gavin and Stacey,' perhaps - where you get the feeling everybody's seen it.

When I get thinking, I get very knotted up. I chew things over a lot and take things quite seriously.

In television, I was first cast as a cavalry officer because of my name.

'Jewel in the Crown' is the biggest exposure I've ever had on television.

If you can't educate your citizens and you can't keep them healthy, you can't begin to be a society.

I like jazz, and Martin Taylor and his band have it all, including a wonderful saxophonist and very fine accordionist, so you get a rather unusual range of sound.

America is very generous, but it's also a bit wacky, you know.

I've played quite a lot of real people, and it carries a special responsibility.

As a child, we lived in flats, and I was never allowed pets.

My memory is quite good, except when I'm off stage.

I like songs to mean something as well as sound good, and Paul Simon is a maestro. While Art Garfunkel was a voice and moved on to other things Simon remained the genius lyricist and composer.

You never learn to act in front of a camera. You never learn anything in front of a camera. But you learn to act in a rehearsal room with a good play and a good cast and a good director.

I always remember to go on the Staten Island Ferry because it's the most amazing view of New York. And it's free! You see Ellis Island, and it conjures up something of that great moment: you know, the huddled masses yearning to breathe free. It's staggering.

You wouldn't read 'Anna Karenina' and try to work on the computer at the same time, would you?

In England, anybody who was alive remembers an interview between the press and Charles and Diana, right after they became engaged. One of the press asked Charles if he loved her. And he said, 'Oh, well, whatever love means.' Boy, it was a terrible answer.

I have only met Prince Charles once, when he was very charming and easy to chat to. I have always had a soft spot for him, and I admire our constitutional monarchy, but Charles often comes across as eccentric, and he has a mixed press.

I never wanted to do film. I don't have the right face, and I don't like stardom. I like the fact that I have this wonderful thing that gives you status, but I'm most interested in doing decent work.

Your response to literature is to do with maturity; if you don't respond to a book or a poem when you are 12, you might when you are 13.

You can't keep a hero down, can you?

I didn't like my first primary school in Leicester very much. As I was going home on my tricycle one day, I said, 'There's no reading, no writing and no arithmetic - it's really boring!' So I was sent to St John the Baptist Church of England Primary.

My wife is a fantastic traveller. She's good fun and very optimistic. Even if things get bad, she's good at seeing the light side.