Sam Raimi

You know, I put my little brother in the movies and he's still in the pictures. My mother makes me put him in the pictures.

I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.

My father told me to dress to reflect the respect you have for the people around you. I've never forgotten that.

I'm too obsessed that the people who say critical things about me are right, even though I'm getting to do something I love.

I like a good mono track, it's right up front. I don't need all the surrounds telling me there are birds in the neighbourhood.

I think movies lost a lot when they went to stereo and five-track sound.

Well it's always been an element of the horror film to show us the gross out. I mean that's one option for all filmmakers making a horror film and it's not something I've found myself above either.

I've always made sequels, even when I was making Super 8 movies if the audience liked it.

It's lovely being a producer. It's really a lot of fun and I can learn a lot.

Every picture has been a learning opportunity for me.

I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.

Any time anyone makes a comic book into a movie, in some way, I think they have to kill the comic book.

I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.

I don't like movies about serial killers, necessarily; it's too real and unpleasant for me.

R is for wussies if you're talking about blood and guts.

I'm not certain, but I have a little gypsy blood in me. And my mother always told me that her grandma could give someone the evil eye, and I'd better not cross her because she had some of that blood in her. Mother always believed that she could predict the future, and she had dreams that came true.

I've always worked with a team of actors and filmmakers ever since I was a kid in Michigan making Super-8 movies.

If a remake is not good, no one wants to see it and, again, it doesn't hurt the original.

I love cats. I've had cats as pets.

I realized what interested me as a student of film was one thing and the movies that I liked were another.

I don't like shows, I don't like to put on a show, I just really want to work intimately with my actors.

Money opens up wonderful worlds of possibilities.

When we read stories of heroes, we identify with them. We take the journey with them. We see how the obstacles almost overcome them. We see how they grow as human beings or gain qualities or show great qualities of strength and courage and with them, we grow in some small way.

I've always heard people's criticisms twice as loudly as their praise.

As I began making my feature films, it was a great adventure. It was about constructing something I saw in my head or I had designed on storyboards and capturing that on film.