Nuno Bettencourt

Everybody used to be busy writing songs - great songs - that became hits. Now everybody's writing hits. Everybody's desperately writing a hit because they know they can't survive if they don't have a hit. Where in the past, we were writing a song like 'More Than Words' on a porch, not really believing it was gonna be a hit.

While you're learning guitar, figure out the drums, too. Not only does it help you have great timing, but it helps you understand how a band works.

There is nothing wrong about being a rock n' roll guitar player.

You've got to love someone enough to hate them.

If you spend long enough with a bunch of guys, things will inevitably start to rankle. You're going to hate the way the singer comes into the room and opens the curtains 'cos he's done it too fast or whatever.

It's always flattering when someone covers a song. I mean, when you're a young band, and you're unsigned - to think that someday people would want to cover one of your songs - it's just mind-blowing.

We'd tour for a year and a half and do an album and then tour for another year and a half and do another album. We thought we were invincible, but someone should have said, 'You guys need to take a little time off.'

In the U.K., we always had a special relationship with the audiences because it wasn't 'More Than Words' that broke us: it was 'Get The Funk Out' that broke first. That was what we had always dreamed of.

We had a nightmare on our first album, and went through two producers. I decided, on the second album, to take the money that we were supposed to use for pre-production, and we went into a studio and cut the album with no producer. We finished the whole thing without telling the record company.

With any success, there will always be a little bit of a negative.

With 'More Than Words,' we wrote that, so we are that. I'm just happy people can connect with any of our songs. If that song opened the floodgates for us to be able to tour the world over and over, how could I be unhappy with that?

What motivates us is always new music.

A band is like a marriage - you don't know why it works, but when it does, everything feels right.

I live in L.A., and whenever I get together with anybody to write, everybody is obsessed and fearful and wants to write a hit for everyone else. They wanna write a hit for Rihanna; they wanna write a hit for Katy Perry.

I'm sad for younger bands that don't have a home that they know they can go to, like the twenty-five labels that used to be around that they know they can hang their hat and know that they'll give 'em three, four, five albums to develop.

Nobody ever knows how big a song is going to be.

You don't really write a hit song - you write a great song, and then, if the public decides it's a hit, they take over from there. The song becomes its own monster.

We've never written anything to have success with it. We've written songs that we love.

It's hard being in a band. It's hard being in a relationship like that. But at the end of the day, when you have great fans, as corny as that sounds, if the fans show up and the passion that they have, they're the ones that make us want to keep going.

We can play all we want, but if nobody's there, if nobody feels anything with what we're playing, then what's the purpose?

We were never the cool band to like. They tried to put us into a hair-metal thing, but we weren't really Warrant or Poison. We were always outside the box. I think we had a little niche that nobody had - maybe the funkiness had something to do with it.

You believe that you're going to be forever young.

Even if we had the No. 1 video on MTV, and we had money and everything else, I think we'd always have more to do. I don't ever want to wake up in the morning and say, 'What are we gonna do today?' I'm afraid of that. I don't ever want to wake up and feel like we've conquered.

It's just a bunch of songs. I'm not trying to cure any major disease.

I come from a big family of musicians, so I was lucky enough to grow up with guitars all around the house. Even though I didn't really know much at the time, my brother had a Les Paul Goldtop, and my dad always had this Fender or some bizarre Pedulla-Orsini guitar.