Matt Damon

I think what makes a good actor's director is the same thing that makes a good director. Acting is just one of the trades necessary to make a movie.

There are people who appear in the magazines and I don't know who they are. I've never seen anything they've done and their careers are over already. They're famous for maybe 10 minutes. Real careers, I think, take a long time to unfold.

Some people get into this business and they're so afraid to lose anything. They try to protect their position like clinging to a beachhead. These actors end up making really safe choices. I never wanted to go that route. If I go down, I'm going down swinging.

I found myself getting more publicly shy when the gala events and big crowds started. Some people embrace it. To me, it's not worth enough to risk my private life being public.

I'd had people say, 'You'll enjoy being famous for a week, and you'll never enjoy it again'. But I don't think I had that week. I may have been working and missed that moment.

If your movies don't perform, they just stop calling you.

I'd love to be a dad. I hope I'd be great at it. That's every man's fear, yet his most important job.

I'm becoming far more interested in just functionality and making sure my body is as strong as it can be so I can swing my kids around and not worry about aches and pains.

I'm always cautious about overstepping any boundaries. At the end of the day, it's a director's medium, and if they don't want to hear from me I just step back.

Still, the change is nearly indescribable - going from total obscurity to walking down a street in New York and having everybody turn and look; to feel the temperature of a room change when I walked in.

My parents divorced when I was young but I was brought up in two really loving households. I didn't have a contentious relationship with my mom or dad.

My mother is a professor of early childhood education. When I was two she would say she knew I was going to be an actor.

I started really young, like 12 or 13, and then I started doing school plays. We had a really good drama department, so the kind of drama-geek stigma wasn't really there in my high school.

I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.

Bond is part of the system. He's an imperialist and a misogynist, and he laughs at killing people, and he sits there slugging martinis. It'll never be the same thing as this, because Bourne is a guy who is against the establishment, who is paranoid and on the run. I just think fundamentally they're just very different things.

I think what makes a good actor's director is somebody who understands what I'm doing and is respectful of it, but who also has a vision and is directing me toward their vision in a way that feels productive.

I've been left alone, even by the paparazzi, because what sells is sex and scandal. Absent that, they really don't have much interest in you. I'm still married, still working, still happy.

I think marrying somebody who's not a celebrity, it just takes a lot of the pressure off.

Our kids are growing up with more privilege than we had; that's true for most of my friends in L.A. I don't know any actor who grew up with any particular privilege, so everyone wrestles with this. And I think, a lot of times, it's about being patient with your kids.

I've passed on a lot of huge-money jobs. Money doesn't enter into the decision-making. If I do a big blockbuster, it's about how big an audience you'll get and where you can take them.

The thing that I like about Germany is that Germans are so much like us. It's not like going to some other countries, where the differences are overwhelming and you walk around in a fog. Germans are so similar to Americans.

Being known as a writer did change the relationships I had with directors. The rap on actors is that they always want to inflate their parts. But when directors know you write screenplays and have a different view of things, you really get invited into the huddle in a much fuller way. And those collaborations end in friendships.

I fell in love with a civilian. Not an actress and not a famous actress at that. Because then the attention doesn't double - it grows exponentially. Because then suddenly everybody wants to be in your bedroom. But I don't really give them anything.

The very first big photo shoot I ever did was with Bruce Weber. I couldn't believe this guy was taking my picture, so when he told me to get in the bathtub, I just did. It's only now, looking back, that I realise, you don't have to do everything people tell you.

As a struggling actor, you're not looking for parts that define you; you're just looking for work.

The only sci-fi movie that I've ever been offered that, had circumstances been different, I would have definitely done, was 'Avatar.' And I literally couldn't do it because of my schedule. But listening to James Cameron talk about 'Avatar' was so fascinating. Because he literally invented the world in his mind - and it literally existed.

I don't see as many movies as I used to. Or, I should say, as many movies as I would like to.

As for poker, I've stayed away from that, even though when I was in Vegas for Ocean's Eleven, I would get accosted by these guys begging me to play. They just want to take my money. They see me, think 'actor' and see some easy money.

It's better to be a fake somebody than a real nobody.

I'm not Brad Pitt or George Clooney. Those guys walk into a room and the room changes. I think there's something more... not average, but everyman about me.

It's just better to be yourself than to try to be some version of what you think the other person wants.

If you are writing a story and trying to draw an audience to come and hear you tell it, it's got to in some way relate to them. Who wants to come and hear about your specific problems? It's not therapy - it's supposed to be a communal piece of entertainment.

I think it's still hard for me to turn down work if it's really good because for so many years I was so desperate to get a job and couldn't and so it's kind of an anathema for me to turn down work.

I started 'The Rainmaker' in August 1996, and I've been working consistently ever since. It's not like I had some grand plan; I keep getting offered jobs so good I can't say no.

If anybody wanted to photograph my life, they'd get bored in a day.

I didn't grow up with great privilege, nor did I grow up wanting for anything. I was a middle-class kid and, relative to the rest of the world, that's great wealth.

I was never that much a focus of interest that I became a 'thing' at an earlier point in my career. I'm aware of having become a 'thing' now, which doesn't give me a lot of pleasure.

Fame is really strange. One day you're not famous, and then the next day you are, and the odd thing is that you know intellectually that nothing in the world is different. What mattered to you yesterday are the same things that matter today, and the rules all still apply - yet everyone looks at you differently.

Now I feel I have an unspoken deal with the paparazzi: 'I won't do anything publicly interesting if you agree not to follow me.'

I believe a solid, really strong middle-class is the key to making the country in the best way.

I never wanted to do the same kind of movies over and over anyway, so my theory on it all is I'm just gonna try and dodge the label and keep doing what I am doing.

I've been really lucky. I'll completely forget that I'm a celebrity. And then something will happen, and I'll go, 'Oh, right.'

Now that I have kids, I'm probably more overprotective than I've ever been. My wife's nickname for me is 'red alert.' I sometimes check just to see if the kids are breathing. But I try not to be a helicopter parent.

As somebody who makes his living in the movie business and wants to contribute to it, I think that the best chance I have of doing that is just consistently working with great directors.

Eventually stardom is going to go away from me. It goes away from everybody and all you have in the end is to be able to look back and like the choices you made.

For Ripley I learned to play some songs on the piano, and I never really played them again.

It's usually the exact same three things which are, the Scripts, the Director and the Role those are the three things I look for and really any two of them, If I get two of them that's usually enough, but definitely those are the things I look for.

Success is not something I've wrapped my brain around. If people go to those movies, then yes, that's true, big-time success. If not, it's much ado about nothing.

Right before 'The Bourne Identity' came out, I hadn't been offered a movie in a year.

I honestly if I get a vacation I'm gonna go and sit on my couch in New York cause that's the one place I haven't been for a very long time.