Larry Mullen, Jr.

The big issue with rock stars becoming actors is that sometimes it's not believable, and vice versa with actors becoming rock stars. Sometimes just doesn't fit.

I joined a band to hit things.

It's a tough life being a pop star. You know, at the end of the day when you've paid all the bills and put the kids through college and that, you know, there's only enough left for a small island off the South Pacific.

When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.

I don't know what I'm qualified to do, film-wise... So it's really down to a director or a casting director to find something that they think I could do.

I've always had an interest in doing something that was outside my comfort zone; I had this thing about standing on the edge of the cliff and deciding to jump.

Companies like Spotify, the new Apple service, and all the others are really going to have to pay artists more. And I think it's a matter of time; I think a lot of these companies and the individuals that are involved in them realize that as well. They know that artists are not getting what they should be getting.

I have had an amazing career for a man who hits things for a living.

I was in Cannes two years ago at our 'U23D' movie premiere. I love the French.

I'm not a violent person, but I've got a hard core streak and have a reputation about living dangerously.

Relevance, for me, is about being creative and doing things that you believe in, whether that's music or acting or painting a picture, or whatever that is.

I will never be a career actor, I don't think. I don't feel that I have the skill set to jump into it that way, although I wouldn't mind giving it a try.

Tony Blair is a war criminal, and I think he should be tried as a war criminal. Then I see Bono and him as pals, and I'm going, 'I don't like that.' Do I think George Bush is a war criminal? Probably - but the difference between him and Tony Blair is that Blair is intelligent. So, he has no excuse.

We need to be creative, on the cutting edge, challenged, and it's really hard going. It's relentless, and we're relentless, and we have a history of breaking engineers, producers. I mean, people come out of working with U2 and just go, 'I just don't know what's happened; it feels like a lifetime has passed by.' And that's just the way we work.

In the music world, ageism is a big issue. It's about youth and youth culture. There's no other art form that I know that requires you to be a certain age.