Jane Birkin

Jacques Doillon wanted me to be in his film, 'La Fille Prodigue,' and there I was, expecting, for some reason, this great bearded man, when a splendid looking red-Indian style man appeared at my door. I said no to his film because I knew that if I said yes, I would run off with him.

Big Ben... hearing the chimes makes me feel at home.

I don't like getting older, but there's nothing I can do. Hitting 60 wasn't great, but I think I was lucky in not being that beautiful; it can be really cruel on people who have been stunning.

I colour my hair mousy brown and I wear makeup only on stage. I use Laura Mercier - something called Biscuit, I think. I run one tiny sponge over my face and cover the red blotches. If I've got some rouge, I'll bung it on my mouth and cheeks.

My distinguishing feature is the gap between my teeth. I had to wear a brace because my teeth used to stick out like guns from a fortress.

I feel most comfortable in an old pair of jeans, Converse, and a man's jersey. My best friend cuts my hair with kitchen scissors.

When my father died, my mother came back from being Mrs. Birkin to being Judy Campbell. She was a stunning actress. She came out of her shell. She was herself again: this very independent, funny, intellectual lady - and was able to perform again, which was her life before meeting my father squashed it out.

I had a baby at 19 and was a grandmother by 39. Now, my children lend me their children to take them off to Brittany. It's divine. I'm quite exceptionally lucky. I've never had a week without having all three of my daughters on the telephone.

My first husband, John Barry, was a composer. I couldn't believe that this sophisticated, talented genius chose me and not any of the other girls. I was so flattered, so excited, so in love with him. Of course, my parents were horrified, as he'd been married once and had a daughter with the au pair girl.

When I arrived in France aged 20, I marched against the death penalty, which was an unpopular thing to protest against at the time.

I love the French very much, and I think they know that. I've been adopted here. They treat me as one of their own.

I think there is an extreme charm in the French, and actually it's their bolshiness that makes them such fun.

David Attenborough... has that wonderful, breathy voice, and he's always so fascinated by what he's seeing. There's nothing about him that I can't find attractive.

I have never written a book about my life, despite being offered purses of gold. I made 'Boxes' because I wanted to make a sincere depiction of a daughter who has lost her father, or the jealousy one can feel towards a daughter who has become more beautiful than you and whose stepfather starts to take her shopping.

I can't be the only person in the world to have three different husbands, and yet those relationships are never talked about.

At school, I used to hear, 'You're a half-caste.' They'd laugh at my figure and say, 'Are you a boy or a girl?'

I think I did a lot of humorous films when I was young, and they were No. 1 films.

My father was a painter, so I was encouraged to take a sketchbook everywhere. Cameras are perishable, but I still have tonnes of sketchbooks from all the trips I've ever been on. It gets you by when you don't know what to give people as a gift; drawings are good souvenirs.

It's usually a jolly good trick to pick up a local tour guide. They can tell you all the anecdotes that make a place interesting. I'm one for rushing off to museums at the crack of dawn, eating fabulous things on terraces for lunch, and enjoying long dinners on balmy evenings.

I don't much enjoy travelling, but I have always longed to take a slow train to Russia. I'd like to go alone - like writers do - with only a pencil and piece of paper as company. I'd take my sketchbook and note down all the wonderful details of other travellers.

I use Elizabeth Arden Eight Hour Cream, £12, on my lips, and my arms if they're sunburned. I'm past caring that sunbathing is dangerous.

Without my specs on, I think I look really great; then I put them on, and I scream. But at 62, I still think less is better. I use Clarins foundation, but I don't put it everywhere - I hate that covered look - so just on the sides of my nose where the veins have gone bang.

I put some red stuff on my mouth and cheeks so I look healthy - any old red lip pencil and a lip colour from Dr. Hauschka in a crushed berry tone. I never put anything on my eyes, or I look like Joan Crawford.

I have to be careful not to get a paunch - I'm so skinny that if I put any weight anywhere, it'd be there, and I don't like a bulge. I wouldn't mind if it went on my bosom, but it doesn't.

There's no fun in a bag if it's not kicked around so that it looks as if the cat's been sitting on it - and it usually has. The cat may even be in it! I always put on stickers and beads and worry beads. You can get them from Greece, Israel, Palestine - from anywhere in the world.