Iain Banks

I think a lot of people are frightened of technology and frightened of change, and the way to deal with something you're frightened of is to make fun of it. That's why science fiction fans are dismissed as geeks and nerds.

I still have some of my old University essays, and I do still have my drawing book from primary year seven.

Smell is a very animal thing, almost reptilian, where the more cerebral things like reading less so.

I deliberately keep myself apart from a lot of stuff; I don't Tweet, I don't do Facebook, I don't blog, and that's largely because I spend my working life staring at a screen and hitting a keyboard, I am trying to cut down on that, not increase it.

I remember being shocked when I discovered some of my school pals didn't have books in their homes. I thought it was like not having oxygen, or hot water.

In theory, I work an eight-hour day and a five-day week which means I can socialise with my pals who mostly have normal jobs like teaching and computer programming.

I'm an only child so am happy with my own company and I don't really get lonely.

A lot of what the 'Culture' is about is a reaction to all the science fiction I was reading in my very early teens.

Even in my side of the world, I've been in publishing for what, 25 or 26 years, and it's gone from being a gentlemen's club to being a few big players, and it's very corporatised.

I think we need politicians; we need people who want to serve.

Science fiction is trying to find alternative ways of looking at realities.

'Dead Air' is full of rants; it's a rant-based book. Yes, it's self-indulgence. I plead guilty; mea culpa.

I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.

I just come up with the stories and write them as well as I can. There's not really a great deal of strokey-beard thinking going on.

There is a quite a lot of effort involved but I find action sequences some of the quickest to write and the most fun.

You get so caught up in what you're writing - action sequences tend to do that more than anything else because you're living it, and feeling for your characters.

Science fiction has its own history, its own legacy of what's been done, what's been superseded, what's so much part of the furniture it's practically part of the fabric now, what's become no more than a joke... and so on. It's just plain foolish, as well as comically arrogant, to ignore all this, to fail to do the most basic research.

I've always loved Scotland, and I'm not a huge fan of big cities, to be honest. I like them to dip into for a bit, but I'm not sure I would want to live in one again.

Most mainstream male fiction is littered with heroines, and female characters are basically so great, you want to fall in love with them.

By the usual reckoning, the worst books make the best films.

Technology determines the possibilities of society. It doesn't matter whether you start out from a fascist state or a communist state or a free-market state.

I wouldn't like to be a character in one of my books!

You have to have something worth saying and then the ability to say it- writing's a double skill, really.

I think the future stopped looking American when you think back to Blade Runner and Neuromancer, when it started to look more Japanese.

I still find it hard to understand that anyone could argue that you can't have machines that exhibit consciousness.