Gabriel Byrne

Where issues used to be, say, parochial or local in Ireland or England and so forth, all politics is global now because all business is global.

I thought to myself, there's a man who gave up his life to serve others - to touch people in that way is probably the greatest thing you can do as a human being.

It's actually pretty complex, because there's two levels of reality in the narrative. One is what really took place, and the other is Spider's poisoned version of what took place.

The only way you can continue to make artistic films is to make an occasional one of those. They kind of keep your marketability going to the extent that people will employ you.

I would like to break out of this dark, brooding image, cause I'm actually not like that at all.

I read a lot on the subject and had many conversations, and I have come to the conclusion that the Catholic Church is a force for evil.

When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.

We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.

I think that if you can convey a kind of a complexity, a mystery, a truth in stillness, that, to me, is really worth striving for, and I totally agree with Michael Fassbender in that less is more. If it's going on inside you, the camera will find it.

I think there's a bit of the devil in everybody. There's a bit of a priest in everybody, too, but I enjoyed playing the devil more. He was more fun.

Corporations are the new dictators.

The Catholic Church is an innately conservative rock - they call themselves the 'rock of Peter' - and its resistance to change is, ironically, what has kept it constant throughout the ages.

I'm a product of my Irish culture, and I could no more lose that than I could my sense of identity.

No actor who's any good can say truthfully to themselves, 'Yeah, I'm good; I've got this sorted.'

Generally speaking, I don't think people know a great deal about the Viking culture, apart from the label that is usually attached to them, either pillagers or deviants who came and brought back loot to Norway. It was an incredibly sophisticated, complex and layered culture. They had their own laws, many of which protected women.

I would love to go back to any time in European history, especially in Irish history, to the second or third century, prior to the arrival of Christianity when Paganism flourished. I can always go back there in my imagination, of course. It doesn't cost anything, and it's a form of time travel, I suppose.

I think that when we look at something that's well acted and a story that's well told, it allows us to be a mirror of who we are as human beings and as a culture, and offers a glimpse of where we're headed.

I don't think we're living in great times for movies, to tell you the truth.

I don't disrespect anybody who espouses a particular religion or belief - that is their own right to do that. But I think it's terribly important to look beyond the comfort that religion gives.

Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.

I'm not a very gregarious person. I can't bear attention being called to me in a public place, which is ridiculous in a business that pays you to be noticed.

Viking women were able to rule kingdoms, divorce husbands, own land; and Vikings were very progressive in terms of the rights of women.

What is that song that Willie Nelson sang? 'Oh, the days dwindle down to a precious few.' I think of that. No big deal. I've reached a stage in my life where I am content.

I never went to drama school, but I did learn a couple of things along the way.

O'Neill presents a very complex multi-layered kind of challenge. His characters are always deeply complex and, to a great extent, inaccessible.