Dan Auerbach

I'm not too picky about guitars. I love to collect them, mostly oddballs, but I'm not married to any brand or model. Whatever guitar has the best character for the song is the one I want to use, because if you've got a style, you're going to sound like yourself no matter what guitar you play.

I'm really not worried about what fans think.

Guitar solos bore the hell out of me. Only a few guitarists interest me, and it's not about the solos they play, it's about the grooves they create.

You get to bring your own sound system when you play an arena, all the lights and visual stuff, which I think is really cool. There's something about those old arenas, where it feels larger than life.

Bombino's a super modest guy, very nice. His whole crew is a bunch of characters and he's definitely the Grand Poobah. I don't think the other guys are that much younger than him, but he definitely feels like the wise man; you just sort of get that sense when you're around him. He doesn't say that much but he's humble and well-respected.

Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.

I'm certainly not your typical front-man material. Some people love being on stage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking on stage.

The Black Keys is just a band that wants to get on stage and rock it.