Bonnie Raitt

I think my fans will follow me into our combined old age. Real musicians and real fans stay together for a long, long time.

There were so many great music and political scenes going on in the late '60s in Cambridge. The ratio of guys to girls at Harvard was four to one, so all of those things were playing in my mind.

I'm certain that it was an incredible gift for me to not only be friends with some of the greatest blues people who've ever lived, but to learn how they played, how they sang, how they lived their lives, ran their marriages, and talked to their kids.

The consolidation of the music business has made it difficult to encourage styles like the blues, all of which deserve to be celebrated as part of our most treasured national resources.

I don't think there's ever been any music quite like what we came up with.

There's nothing like living a long time to create a depth and soulfulness in your music.

Sometimes I'm more true when I'm up onstage than I'm able to be in my regular life. It's not as exciting to be at home, but I've got to learn how to make that work, and then I will be an ordinary woman.

I like to think I get better with age, but maybe absence makes the heart grow fonder.

I just play the music that I love with musicians that I respect, and fortunately, I'm in a position where people are willing to play with me, and perhaps I can do something to help them.

I have a really full life, both within music and outside it.

I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living.

I grew up in Los Angeles in a Quaker family, and for me being Quaker was a political calling rather than a religious one.

I made my first album, and I guess it wasn't a fluke, because now I'm on my 16th.

Playing guitar was one of my childhood hobbies, and I had played a little at school and at camp. My parents would drag me out to perform for my family, like all parents do, but it was a hobby - nothing more.

AC/DC's 'Highway to Hell' is the greatest meshing of vocal, guitar, and content I've ever heard. That's what I aspire to.

I never saw music in terms of men and women or black and white. There was just cool and uncool.