Billy Joel

Have you listened to the radio lately? Have you heard the canned, frozen and processed product being dished up to the world as American popular music today?

I have a theory that the only original things we ever do are mistakes.

I did write a letter to the archdiocese who'd banned the song, Only the Good Die Young, asking them to ban my next record.

I have been both praised and criticized. The criticism stung, but the praise sometimes bothered me even more. To have received such praise and honors has always been puzzling to me.

Like family, we are tied to each other. This is what all good musicians understand.

My songs are like my kids.

I was drawn to boxing because I got beat up as a kid. I was the kid with the piano books in a New York neighbourhood.

We are living in a time when American popular music is finally being recognized as one of our most successful exports. The demand is huge.

I am no longer afraid of becoming lost, because the journey back always reveals something new, and that is ultimately good for the artist.

If you tell kids they can't have something, that's what they want.

Twyla Tharp put it together from the material I wrote and recorded over my whole career. I thought it was pretty good, but how objective could I be?

In a way, we are magicians. We are alchemists, sorcerers and wizards. We are a very strange bunch. But there is great fun in being a wizard.

When I was a young musician, the only option available to pursue secondary education in music was to attend a classical conservatory.

Artists - musicians, painters, writers, poets - always seem to have had the most accurate perception of what is really going on around them, not the official version or the popular perception of contemporary life.

Musicians now find themselves in the unlikely position of being legitimate. At least the IRS thinks so.

Historically, musicians know what it is like to be outside the norm - walking the high wire without a safety net. Our experience is not so different from those who march to the beat of different drummers.

It's really hard to make a living as a musician. It's almost impossible.

I think historically America has been pretty tolerant. It seems when there's a mass influx from one place, that's when it becomes problematic for Americans.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

I'm probably writing music now for the same reason as I started writing songs when I was 14 - to meet women.

I can't think of one person I've ever met who didn't like some type of music.

There's a deep-seated paranoia that Americans have about not being Americans or something.

Musicians want to be the loud voice for so many quiet hearts.

In an age of incompetence, I've been able to last in this crazy business. I actually know how to play my ax and write a song. That's my job.

It feels great to have a #1 album.

Most people are satisfied with the junk food being sold as music.

I keep telling people: Don't make me the poster boy for AA because I don't know a lot about sobriety, but I do know a lot about drinking.

I'd rather laugh with the sinners than cry with the saints - the sinners are much more fun.

I definitely prefer being a lover than a fighter.

There's nothing better than good sex. But bad sex? A peanut butter and jelly sandwich is better than bad sex.

As human beings, we need to know that we are not alone, that we are not crazy or completely out of our minds, that there are other people out there who feel as we do, live as we do, love as we do, who are like us.

I am, as I've said, merely competent. But in an age of incompetence, that makes me extraordinary.

You're not the only one who's made mistakes, but they're the only things that you can truly call your own.

I really wish I was less of a thinking man and more of a fool not afraid of rejection.

I'm a history nut.

I sold my house to Jerry Seinfeld.

I never said I wasn't going to play any more. I don't know where that came from.

I consider myself to be an inept pianist, a bad singer, and a merely competent songwriter. What I do, in my opinion, is by no means extraordinary.

I don't know why people thought I was retiring.

I don't care what consequence it brings, I have been a fool for lesser things.

I've crashed my car three times.

Those who have expressed doubts and misgivings about their ability to live this kind of life shouldn't try, because being a musician is not something you chose to be, it is something you are.

For whatever reason, not all people are born with the particular gift of being able to express ourselves through music. And, believe me, it is a gift.

The whole world loves American movies, blue jeans, jazz and rock and roll. It is probably a better way to get to know our country than by what politicians or airline commercials represent.

I think music in itself is healing. It's an explosive expression of humanity. It's something we are all touched by. No matter what culture we're from, everyone loves music.

More than art, more than literature, music is universally accessible.

When I look at great works of art or listen to inspired music, I sense intimate portraits of the specific times in which they were created.

Why do musicians give so much time to charitable causes? The most humanitarian cause that we can give our time to is the creation and performance of music itself.

If you make music for the human needs you have within yourself, then you do it for all humans who need the same things. You enrich humanity with the profound expression of these feelings.

You want to give people a reason to hate my guts more? I'm making more money.