Bill Callahan

At midnight every night, I would methodically leave the house for a couple hours' walk, come back in, and record. And then the sun came up. If I had done something good, then I'd be happy and go to sleep.

I did a lot of work without thinking about it in a calm, rational way. Stopping and thinking about what I was doing made my music calmer and deeper in tone.

From the first time you can look in the paper and you accept that you're the entertainment for some people that night, it becomes so much more enjoyable to play live.

My parents weren't religious at all. I remember the first time I heard about Jesus was at school.

I like mountains and oceans and stuff, which is where I've always felt some sort of power of meaning, but that's not necessarily spiritual.

There's so much chaos in life, I think I make music to make things feel calm and sane, to define something, to bring some meaning into it - it's a real peaceful thing to me.

I cross things out more than I write them. And if I try to sing a line, and I know that it's written incorrectly, I get this weird sort of physical nausea, and my mouth curls up all strange. I guess that's why I always write the words first: because, if everything feels okay, I'm ready to put it to music.

I'm somewhere between a gumshoe and a journalist. A writer, not a symbol.

When I write a song, it is to fill a niche in people's lives. To have a song for every experience if one hadn't been written yet.

My first records are integral because I made them, you know, and I'm going to learn from those mistakes.

I've never detected a correlation between where I am and what I write. I think there could be something subconscious, though. And I can't really speak for my subconscious.

I'm more into human nature than politics. But they're intertwined. Obviously, I live in civilization, so politics are part of my life.

Prose is like this big block - you write big paragraphs. I feel that when I'm reading and writing, that a prose book is kind of monolithic. But a song is more like a feather or something.

I didn't think I'd ever eat pork; it just does not appeal to me.

Music is a social act.

James Cain was saddled with being called the father of hardboiled fiction. Apparently, he didn't like this saddle.

I don't know about a lot of things. I read a lot, but a lot of it just passes through me. I don't retain much. I am kind of dumb that way. Or maybe 'I am a simple man,' is a better way to say it.

You know how on Christmas day, the day feels different, even if you're just sitting in your chair waiting for your girlfriend to put her face on and you haven't even started any of the festivities yet, the day still feels different. The electrons are fatter and pushier.

There are a million tiny weird towns. You never know what you're going to get into if you drive an hour into the wild.

Writing songs was like my ticket to the world, I think.

I knew absolutely nothing about recording. I had this four-track recorder, and I'd plug my electric guitar right into it, which sounded real bad. I moved any fader that made a drastic change in sound. I thought that was cool - that it was communicating something. I didn't have the skills to do anything subtle. It was just like screaming.

I feel like you come in under a cloak of someone else's skin for a while, but then you can shrug it off - you have to find your own voice, if you want to keep doing it. That became a really conscious thing for me.

You get into moods - like, if somebody does something to you, then you're angry for maybe 30 seconds, or maybe 30 years. I was always interested in capturing those awful, unflattering things that everybody goes through - those hot moments, captured in ice.

I have long begged off the question of my albums reflecting where I am 'at' personally. There is more inaccuracy in that approach than accuracy.

I will concentrate on playing guitar, on lyrics and on singing. I am a part of things; I am not the encompassing 'Smog.'