Aaron Sorkin

Television is a visual medium. You have to create some kind of visual interest. And it's entertainment for your eyes.

I am uncomfortable talking about the things that I write. It seems unseemly to me. I have no problem at all when I see anybody else talking about the same project, but I feel my work should speak for itself.

I do not speak through my characters; it's not a ventriloquist act.

Whether it's 'The West Wing' or anything else, my first thought is always, 'What's a good story?'

I have a big problem with people who glamorize dumbness and demonize education and intellect. And I'm giving a pretty good description of Sarah Palin right now.

I have all of the Apple products. Everything I've ever written, I've written on a Mac. My first computer, my roommates and I chipped in, and we got that first Macintosh - 128K. It had as much memory as a greeting card that plays music.

I'm neither a millennial nor a hipster.

I find television, and particularly live television, very romantic: the idea that there is this small group of people, way up high, in a skyscraper in the middle of Manhattan, beaming this signal out into the night.

Heroes in drama are people who try hard to reach a virtuous ideal. And whether they succeed or fail really doesn't matter - it's the trying that counts.

I like writing idealistically, romantically and swashbucklingly.

When I wrote 'The West Wing,' the juice behind it was that in popular culture, our leaders in government are generally portrayed as Machiavellian, or as idiots. I thought, well, how about writing about a group of hyper-competent people?

My way of getting the best from people on a set is to notice their work, to make every prop master, every seamstress, part of 'The Newsroom' or 'The West Wing' or 'Steve Jobs.'

I have a lot of respect for people who are great at ad-libbing and for writers and directors who are able to create a scene in which that works. Judd Apatow is fantastic at it. But as an audience member, I like the sound of something that's been written - I like it to sound written.

I consider plot a necessary intrusion on what I really want to do, which is write snappy dialogue.

I'll get cast occasionally as sort of the jerk version of myself, and I have fun doing that. But it's really better for everyone if I stay behind the camera.

While I was doing 'The Newsroom,' I always had the news on on different networks on different TVs around my house and around my office.

When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.

I've got plenty of quirks. I go to an office early in the morning. Early in the morning is really good writing time. I take anywhere between six to eight showers a day. I'm not exaggerating. I'm not a germaphobe: it's all about a fresh start.

The rules of drama are very much separate from the properties of life. I think that's especially true of Shakespeare.

The properties of people and the properties of character have almost nothing to do with each other. They really don't. I know it seems like they do because we look alike, but people don't speak in dialogue. Their lives don't unfold in a series of scenes that form a narrative arc.

I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.

If the characters on 'The West Wing' were watching a TV show wherein a character like Trump was leading in the polls, they wouldn't find it believable.

I feel like the better version of myself is on paper... I'd rather have people know me on paper.

Don't try to guess what it is people want and give it to them. Don't ask for a show of hands. Try your best to write what you like, what you think your friends would like and what you think your father would like and then cross your fingers... The most valuable thing you have is your own voice.

I've always thought that there is a great female James Bond movie to be done. I'm not literally calling her Jane Bond, I mean, but a female secret agent.

I'm crazy about 'Breaking Bad,' but I wouldn't know how to write an episode of it.

Writing never comes easy. The difference between Page 2 and Page Nothing is the difference between life and death.

A song in a musical works best when a character has to sing - when words won't do the trick anymore. The same idea applies to a long speech in a play or a movie or on television. You want to force the character out of a conversational pattern.

I can't remember my dreams more than a couple of seconds after I wake up. It's frustrating because sometimes I dream that I'm watching a really good movie.

I get nervous before openings or premieres or when someone's reading a new script, and I get nervous when my daughter isn't in my immediate field of vision.

The upside of web-based journalism is that everybody gets a chance. The downside is that everybody gets a chance.

I'm not on Facebook, and I don't tweet, but I know plenty of people who love both.

I get the 'The New York Times' and 'Los Angeles Times' thrown at my door every morning. I'll read the front page of 'The New York Times,' then the op-eds, then scan the arts section and then the sports section. Then I do the same with the 'L.A. Times.'

I spend most of my days pacing around, muttering that I have no ideas, feeling like I'm walking a plank.

When I create a TV show, it's so that I can write it. I'm not an empire builder; my writing staff is usually a combination of two kinds of people - experts in the world the show is set in, and young writers who will not be unhappy if they're not writing scripts.

All my heroes wore coats and ties to work. What happened to men wearing hats? Maybe I should bring back hats.

First scenes are super-important to me. I'll spend months and months pacing and climbing the walls trying to come up with the first scene. I drive for hours on the freeway.

'Steve Jobs' is my seventh movie. I believe, if you added them up, I don't think there is more than a total of 10 minutes that takes place in a person's home. They're all in offices, courtrooms, laboratories, things like that.

I do not diminish the incredible symbolic importance of a black man getting elected president. But my euphoria was a smart guy getting elected president. Maybe for the first time in my lifetime we had elected one of the thousand smartest Americans president.

The rules are all in a sixty-four-page pamphlet by Aristotle called 'Poetics.' It was written almost three thousand years ago, but I promise you, if something is wrong with what you're writing, you've probably broken one of Aristotle's rules.

If you lined up 10 writers and asked them to write a movie about Steve Jobs, you'd get 10 very different movies.

The Internet, in general, I find troubling. The anonymity has made us all meaner and dumber. This thing that was supposed to bring us closer together, I see it doing the opposite.

I think I would have done very well as a writer in the Forties. I think the last time America was a great country was then or not long after. It was before Vietnam, before Watergate.

I'm not sophisticated when it comes to politics, when it comes to journalism.

With 'The Social Network,' I got into it at first because frankly I thought there was a cool courtroom drama to be had with the intellectual properties. And then what further drew me in was that the most extraordinary social networking device ever created was created by the world's most antisocial person. I liked that story.

A news organization has a much different responsibility. I might not be telling you the whole story. I might not be telling you a story in a manner that is properly sophisticated.

We're about to shoot an episode on Air Force One, for instance, and we're going to take liberties, small liberties, with Air Force One, as we take small liberties with our White House set.

'Molly's Game' was a true story about a remarkable young woman named Molly Bloom. She was this close to going to the Olympics; she was ranked third in North America in women's moguls.

Any time you get two people in a room who disagree about anything, the time of day, there is a scene to be written. That's what I look for.

I had a lot of survival jobs. One was for the Witty Ditty singing-telegram company. I was in the red-and-white stripes with the straw boater hat and kazoo. Balloons. Even when you're sleeping on a friend's couch, you have to pay some kind of rent.